The 73rd Japan Traditional Kōgei Exhibition at Nihombashi Mitsukoshi: Around 550 Works from Living National Treasures to Emerging Artists

Neither Art Becoming Clothing nor Clothing Becoming Art — A-POC ABLE ISSEY MIYAKE × Tomokazu Matsuyama Creates a New Structure of Expression

Who Designs the Memories We Take Home? — Starbucks’ “Discovery Series” Reimagines Japan’s Local Culture

I’m So Happy You Are Here: Rewriting the History of Japanese Photography Through the Eyes of Women

Why Does Ultraman Continue to Be Reimagined?—SHUWATCH with U and 60 Years of Imagination

20 Years After The Girl Who Leapt Through Time: Tracing the Creative Origins of Mamoru Hosoda

Gucci Discovers Japanese Beauty Through Cloisonné—A Dialogue of Flora and Kachōfūgetsu with Ando Cloisonné

Japanese Knives the World Admires—How Shun Reflects the Cutting Edge of Craftsmanship

Can Humans Become Cameras? Why JINS and Sigma Joined Hiroshi Sugimoto's CAMERA MAN

Can Nishijin Weaving Become a Medium of the Future? — HOSOO Explores a New Relationship Between Textiles and the Digital World in Milan

Throwing Architecture Far Away — Rethinking Building as a Form of Thought

CHANEL and Cinema—How TOKYO LIGHTS CINEMA WEEKS Frames the Future of Filmmaking

A-POC ABLE ISSEY MIYAKE and SOAR NY Redefine the Relationship Between Garment and Graphic Design

Reading 100 Years of Ginza—100.80.60. Exhibition at Ginza Sony Park Traces City, Sony, and Architecture Through Text

Can a New Way of Spending Time Emerge in the City? — Soho House Tokyo and a New Cultural Form

TAKANAWA GATEWAY CITY — A New Urban Model Where the City Itself Becomes an Experimental Platform