Half a century has passed since 1968, and now, into the future. Exhibition report on "THE EUGENE Studio 1/2 Century later."(42/57)

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

“White Painting”, Canvas./ Photo by Hideyuki Seta © FASHION HEADLINE

White Painting in Los Angeles/ Photo by Hideyuki Seta © FASHION HEADLINE

White Painting in Los Angeles/ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE
BEAUTYOur Beauty Story【vol.5_ADDICTION × Flower】
FASHIONEncountering Craft Along the Journey — LUGGAGE LABEL Exhibition at Numazu Club, a Registered Tangible Cultural Property
FASHIONGOOD GOODS ISSEY MIYAKE Introduces “FRAME,” a New Bag Series Balancing Structure and Softness
ART&CULTUREFrom Original Artwork to Immersive Spaces: Celebrating 55 Years of Creation at Mitsuru Adachi 55th Anniversary Exhibition
FASHIONTracing 150 Years Through Storytelling: Audemars Piguet Releases Anniversary Manga The Passage of Time
- TOP
- Half a century has passed since 1968, and now, into the future. Exhibition report on "THE EUGENE Studio 1/2 Century later."
- Half a century has passed since 1968, and now, into the future. Exhibition report on "THE EUGENE Studio 1/2 Century later."(42/57)
























































