Half a century has passed since 1968, and now, into the future. Exhibition report on "THE EUGENE Studio 1/2 Century later."(24/57)

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

“White Painting”, Canvas./ Photo by Hideyuki Seta © FASHION HEADLINE

White Painting in Los Angeles/ Photo by Hideyuki Seta © FASHION HEADLINE

White Painting in Los Angeles/ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE
GOURMET”Hana yori Dango” — 10 Must-Try Dango Spots in Tokyo This Cherry Blossom Season
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ART&CULTUREMartin Margiela in Tokyo—A Major Exhibition at Kudan House Reframes His Practice Beyond Fashion
FASHIONFrom Craft to Open Interpretation—ATTITU, Evolving from Tsuchiya Kaban, Opens Its First Store in Kamakura
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- Half a century has passed since 1968, and now, into the future. Exhibition report on "THE EUGENE Studio 1/2 Century later."
- Half a century has passed since 1968, and now, into the future. Exhibition report on "THE EUGENE Studio 1/2 Century later."(24/57)
























































