MARC JACOBS Unveils Its Fall 2026 Collection with Artist Collaborations at Pop-Up Stores in Tokyo and Osaka

I’m So Happy You Are Here: Rewriting the History of Japanese Photography Through the Eyes of Women

Why Does Ultraman Continue to Be Reimagined?—SHUWATCH with U and 60 Years of Imagination

20 Years After The Girl Who Leapt Through Time: Tracing the Creative Origins of Mamoru Hosoda

Gucci Discovers Japanese Beauty Through Cloisonné—A Dialogue of Flora and Kachōfūgetsu with Ando Cloisonné

Can Humans Become Cameras? Why JINS and Sigma Joined Hiroshi Sugimoto's CAMERA MAN

Throwing Architecture Far Away — Rethinking Building as a Form of Thought

Dior Supports Japanese Artist Momo Nakagawa at KG+—“Clonal Images” Explores the Expansion of Photography

A-POC ABLE ISSEY MIYAKE and SOAR NY Redefine the Relationship Between Garment and Graphic Design

Shoji Kamoda and IM MEN—Where Clay and Cloth Intersect at The National Museum of Modern Art, Kyoto

TAKANAWA GATEWAY CITY — A New Urban Model Where the City Itself Becomes an Experimental Platform

Hajime Sorayama’s Largest Retrospective “Light, Reflection, Transparency — TOKYO” Opens at CREATIVE MUSEUM TOKYO

From Ishinomaki to the World: “15 Years After” Traces the Design Philosophy of Ishinomaki Laboratory

A Journey Collecting Color: HOMME PLISSÉ ISSEY MIYAKE Presents “Amid Impasto of Colors”

Yuriko Takagi’s First Museum Exhibition in Tokyo “Threads of Beauty 1995–2025” Opens at Bunkamura Museum

Ai Yazawa Reimagines the “Yebisu Bijinga” — “Celebrating New Beginnings: The Yebisu Bijinga Exhibition” Opens in Tokyo and Fukuoka