Half a century has passed since 1968, and now, into the future. Exhibition report on "THE EUGENE Studio 1/2 Century later."(39/57)

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

“White Painting”, Canvas./ Photo by Hideyuki Seta © FASHION HEADLINE

White Painting in Los Angeles/ Photo by Hideyuki Seta © FASHION HEADLINE

White Painting in Los Angeles/ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE
FASHIONOur Fashion Story [vol.29_ GIVENCHY x The World of Black and Red]
FASHIONTHOM BROWNE Unveils First Collaboration Sneakers with ASICS. Reinterpreting the GEL-KAYANO 14, alongside a pop-up at Isetan Shinjuku
FASHIONJOHN LAWRENCE SULLIVAN Presents Fall Winter 2026 Collection in Berlin Silhouettes embodying defense and tension, rooted in the physicality of boxing
FASHIONKAMIYA Presents Fall Winter 2026 Collection “ACT - COOL” in Tokyo A moment where clothing, body, and space converged at Shin-Kiba FACTORY
- TOP
- Half a century has passed since 1968, and now, into the future. Exhibition report on "THE EUGENE Studio 1/2 Century later."
- Half a century has passed since 1968, and now, into the future. Exhibition report on "THE EUGENE Studio 1/2 Century later."(39/57)
























































