Half a century has passed since 1968, and now, into the future. Exhibition report on "THE EUGENE Studio 1/2 Century later."(1/57)

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

“Beyond good and evil, make way toward the waste land.”, Ceramic, iron, wood, glass, ash, other./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

“Drawing; Model room for Agricultural Revolution 3.0”, Copper./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

“White Painting”, Canvas./ Photo by Hideyuki Seta © FASHION HEADLINE

White Painting in Los Angeles/ Photo by Hideyuki Seta © FASHION HEADLINE

White Painting in Los Angeles/ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE

THE EUGENE Studio 1/2 Century later./ Photo by Hideyuki Seta © FASHION HEADLINE
GOURMET”Hana yori Dango” — 10 Must-Try Dango Spots in Tokyo This Cherry Blossom Season
FASHIONOur Fashion Story [vol.29_ GIVENCHY x The World of Black and Red]
ART&CULTUREDior Supports Japanese Artist Momo Nakagawa at KG+—“Clonal Images” Explores the Expansion of Photography
ART&CULTUREMartin Margiela in Tokyo—A Major Exhibition at Kudan House Reframes His Practice Beyond Fashion
FASHIONFrom Craft to Open Interpretation—ATTITU, Evolving from Tsuchiya Kaban, Opens Its First Store in Kamakura
- TOP
- Half a century has passed since 1968, and now, into the future. Exhibition report on "THE EUGENE Studio 1/2 Century later."
- Half a century has passed since 1968, and now, into the future. Exhibition report on "THE EUGENE Studio 1/2 Century later."(1/57)
























































